from FXPHD's interview "Kubo and The Two Strings - Behind the Hall of Bones":

That two year production process also impacts visual effects as well, since much can change in post over time. You’re talking about multiple compositors over the course of two years,” says Emerson.
“It really becomes about management of those images, how do we make sure that everything is consistent? Fortunately, we had a really strong lead compositor, Tilman Paulin, who was able to stay on top of it.”

Steve Emerson, Visual Effects Supervisor, Laika

Work bio - Tilman Paulin:

from March 2021:

Compositing Supervisor - Image Engine, Vancouver

from December 2018:

Compositing Lead - Image Engine, Vancouver

Mulan, Spider-Man: Far From Home, Twilight Zone, The Mandalorian (senior compositor), Snowpiercer 

May 2018 - October 2018:

Senior Compositor - Method Studios, Vancouver

The Christmas Chronicles

Sept 2017 to March 2018:

Compositor - Weta Digital, Wellington

Avengers: Infinity War

Sept 2016 - June 2017: 

2D Supervisor - Windmill Lane Visual Effects, Dublin

Terminal, Mary Shelley (VFX Supervisor), Maze


Compositing Lead / Senior Compositor - LAIKA, Portland

Kubo and the Two Strings, The BoxTrolls


Compositing Supervisor - Double Negative, London

Captain Phillips


Compositing Sequence Supervisor - Double Negative, London

Inception, John Carter, Green Zone, Quantum of Solace

Senior Compositor - Double Negative, London

The Dark Knight, The Bourne Ultimatum, Harry Potter and the Order of the Phoenix, Snow White and the Huntsman, The Dark Knight Rises, Attack the Block, Scott Pilgrim vs. the World, Kick-Ass, The Boat That Rocked, Hellboy II: The Golden Army, Cloverfield, Doomsday, 10,000 BC, Stardust


Digital Compositor / Lead Compositor - Elektrofilm, Stuttgart

Digital Compositor - CA Scanline, Munich