from FXPHD's interview "Kubo and The Two Strings - Behind the Hall of Bones":
“That two year production process also impacts visual effects as well, since much can change in post over time. You’re talking about multiple compositors over the course of two years,” says Emerson.
“It really becomes about management of those images, how do we make sure that everything is consistent? Fortunately, we had a really strong lead compositor, Tilman Paulin, who was able to stay on top of it.”
Steve Emerson, Visual Effects Supervisor, Laika
Work bio - Tilman Paulin:
from December 2018:
Compositing Lead - Image Engine, Vancouver
Mulan, Spider-Man: Far From Home
May 2018 - October 2018:
Senior Compositor - Method Studios, Vancouver
Sept 2017 to March 2018:
Compositor - Weta Digital, Wellington
Avengers: Infinity War
Sept 2016 - June 2017:
2D Supervisor - Windmill Lane Visual Effects, Dublin
Terminal, Mary Shelley (VFX Supervisor), Maze
2013-2016:
Compositing Lead / Senior Compositor - LAIKA, Portland
Kubo and the Two Strings, The BoxTrolls
2012:
Compositing Supervisor - Double Negative, London
Captain Phillips
2007-2011:
Compositing Sequence Supervisor - Double Negative, London
Inception, John Carter, Green Zone, Quantum of Solace
Senior Compositor - Double Negative, London
The Dark Knight, The Bourne Ultimatum, Harry Potter and the Order of the Phoenix, Snow White and the Huntsman, The Dark Knight Rises, Attack the Block, Scott Pilgrim vs. the World, Kick-Ass, The Boat That Rocked, Hellboy II: The Golden Army, Cloverfield, Doomsday, 10,000 BC, Stardust
2004-2006:
Digital Compositor / Lead Compositor - Elektrofilm, Stuttgart
Digital Compositor - CA Scanline, Munich